Öl auf dem Segeltuch,das echte Aroma von alten Meistern

A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    der Index der Künstler

Schwedisch

Spanisch

Englisch

Französisch

Deutsch

Nächstes Gemälde     

Pieter Jansz. Saenredam

      (June 9 1597 - buried May 31 1665) was a painter of the Dutch Golden Age, known for his distinctive paintings of whitewashed church interiors. Saenredam was born in Assendelft, the son of the Northern Mannerist printmaker and draughtsman Jan Pietersz Saenredam (1565-1607), a follower of Goltzius whose sensuous naked goddesses are in great contrast with the work of his son. In 1612 he moved to Haarlem, where he became a pupil of Frans de Grebber and lived for the rest of his life. In 1614 he became a member of the Haarlem Guild of St. Luke. He died in Haarlem. A contemporary of the painter-architects Jacob van Campen, Salomon de Bray, and Pieter Post, he is noted for his surprisingly modern paintings of church interiors, the great bulk of his production. Saenredam achieved this modern look by using very even light, subtlely modulated, and by removing detailed depiction of textures, in meticulously measured and drawn sketches. He would make these sketches in pencil, pen, and chalk, then and add in watercolor to help give the sketch texture and color. The sketches are detailed, conveying the interior atmosphere through the clever use of light and graduated shadows. Saenredam often deliberately omitted people and church furniture from work, thus focusing more attention on buildings and their architectural forms. Only after having made precise measurements, and precise sketches and drawings of the churches, he would take them to his studio where he started to create his paintings, often after a delay of many years. His emphasis on even light and geometry is brought out by comparing his works with those of the rather younger Emanuel de Witte, who included people, contrasts of light and such clutter of church furniture as remained in Calvinist churches, all usually ignored by Saenredam. Unlike de Witte's, Saenredam's views are usually roughly aligned with a main axis of the church.

Pieter Jansz. Saenredam The nave and choir of the Mariakerk in Utrecht, seen from the west. painting


    The nave and choir of the Mariakerk in Utrecht, seen from the west.
   new26/Pieter Jansz. Saenredam-373558.jpg
Gemälde IDENTIFIZIERUNG::  93345
  29 January 1641(1641-01-29) Medium oil on panel Dimensions 121.5 x 95 cm (47.8 x 37.4 in) cjr
   
   
   

Nächstes Gemälde     

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
Kaik oarsman / Edge of the Woods-Cherry Trees in Autumn / National Postal Museum / The Flux of Port en bessin / Die Erschaffung der Eva / The ball / Baptism of Christ ena / The Martyrdom of St Stephen / Portrait of a Bruges Family a / The Presentation in the Temple 6 / art fine gallery / Frans van mieris the elder / husband life still / wood bed frame plan / Inwood / Red Flowers and Begonia Leaves in a bask / Willowsprings / Reader by Lamplight / View of the Bacino di San Marco -St Mark / Paesaggio / impressionism rubin / Birth of the Virgin / Child with Nurse / Andrea Odoni -45- / Rose of Sharon / L-Opera / Young Girls at the Seaside -19- / Still-life with Peaches and Fig-leaves f / California Oaks / Mountains -34- / Model,Front View -09- / Girl with Red Hat / mona / The Presentation at the Temple -05- / Spanish Girl of Segovia / newcrafts / relief / Dablija / The toilet / Canakkale /